This new reading of constructions of ethnicity in Malaysia and Singapore is an important contribution to understanding the powerful linkages between ethnicity, religious reforms, identity and nationalism in multi-ethnic Southeast Asia.
The narrative of Malay identity devised by Malay nationals, writers and filmmakers in the late colonial period associated Malayness with the village or kampung, envisaged as static, ethnically homogenous, classless, indigenous, subsistence-oriented, rural, embedded in family and community, and loyal to a royal court. Joel Kahn challenges the kampung version of Malayness, arguing that it ignores the immigration of Malays from outside the peninsula to participate in trade and commercial agriculture, the substantial Malay population in towns and cities, and the reformist Muslims who argued for a common bond in Islam. Owing to a rising dissatisfaction with the established order and new modernist sensitivities, especially among
younger generation, the author argues that it is time to revisit the alternative, more cosmopolitan narrative of Malayness.


Tankas from a Tsunami is a cycle of poems in the aftermath of the horrendous tsunami that struck the Asia-pacific region on 26th December 2004; taking nearly 300,000 lives and leaving a trail of death and devastation that affected millions around the globe.
According to this scholarly polemic by Collin Abraham, with the promulgation of the Haadyai Peace Accord in 1989, Malaysia finally took its place among independent nations of the world after centuries under the yoke of colonialism.
For scholars whose field of interest included Islamic studies and the contemporary development of Muslim society, the impact of 11 September was unprecedented. President Bush's declaration of a 'Crusade' against terror had the immediate deleterious effect of souring relations between the West and the Muslim world, heightened tension between states and regional blocs, shifted the focus of the global media to the Muslim world and lead to the reconfiguration of established political loyalties and alliances, hastily realigned.
In the early 1990s, the animist and Hindu traces in adat, or Malay custom, became contentious for resurgent Islam in Malaysia. Reclaiming Adat focuses on the filmmakers, intellectuals, and writers who reclaimed adat to counter the homogenizing aspects of both Islamic discourse and globalization in this period. They practised their project of recuperation with an emphasis on sexuality and a return to archaic forms such as magic and traditional healing. Using close textual readings of literature and film, Khoo Gaik Cheng reveals the tensions between gender, modernity, and
Orang Asli Women of Malaysia by Adela Baer, Karen Endicott, Rosemary Gianno, Signe Howell, Barbara S Nowak and Cornelia van der Sluys (RM 20.00)
Islam & Pluralisme arranged by Al-Mustaqeem Mahmod Radhi and Khairul Anam Che Mentri (RM 20.00)
Bercanda dengan Mahathir by Rustam A. Sani (RM 20.00)
Ketika Internasionale Bergema Lagi by Lee Ban Chen (RM 20.00) (Koleksi rencana kritis, petikan dari www.malaysiakini.com)













